My art practice is informed by the mundane - both of the earth and ordinary. I follow slow, repeating cycles and tune into their disruptions. These cycles are eco-social and place-based, often linked to seasonal shifts, plant phenology, everyday rituals, and the government. These disruptions iterate in my art practice as glitches, revealing stories that I tell with plants, discarded construction materials, mineral pigments, images and archival records. Each of these materials hold memories in place and time, which I rearrange and manipulate to bend and alter perceptions of our surroundings. I utilize processes like germination, growth, evaporation and decomposition, as well as collecting, situating and projecting-onto. These processes are fluid and sometimes unpredictable, reflecting the complexity of un/knowing, changing and holding-onto.